Dubai’s Jebel Ali racetracks are set to be transformed into a vibrant, walkable district with Bjarke Ingels Group’s (BIG) upcoming masterplan. The A.R.M Holding Mega Project proposes an urban framework that foregrounds landscape, public space, and social infrastructure, aligned with the city’s ambitions for more sustainable growth.

The approach centers on improving resident well-being by distributing urban density and weaving built forms and open, green spaces together across five square kilometers. A large central park sits at the center, maintaining the spatial memory of the racecourse, with a series of mixed-use neighborhoods organized around it. With nature weaving through them, and with all amenities accessible by just a five-minute minute walk, the configuration is reminiscent of an ‘archipelago of urban islands in a sea of green’, as architect Bjarke Ingels notes. Development is set to begin in 2026.

all images courtesy of Bjarke Ingels Group (BIG)

bjarke ingels group (big) creates human-centric scheme

Stemming from national priorities and embodying ideas of holistic prosperity, BIG envisions the masterplan for the A.R.M Holding Mega Project as a ‘living landscape of interconnected communities’. Consideration of physical, emotional, social, and environmental dimensions foster this sense of connectivity across the various island-like pockets which all seamlessly lead into one another before converging around the central park. ‘The park doesn’t stop at the center,’ says Bjarke Ingels. ‘It bleeds between the islands, weaving nature through the urban fabric.’

To enhance this sense of well-being, the architects also place an emphasis on walkability, accessibility, and the integration of local SMEs in what the developers refer to as a ‘city-as-gym’ concept. To improve public health outcomes, all residents can reach green spaces, amenities, workspaces, and social services by just a five minute walk. Sustainability strategies are also prominent, aligned with the goals mapped in the Dubai 2040 Urban Master Plan, with the integration of passive cooling and urban farms, while equestrian facilities nod to the site’s heritage.

Dubai’s former racetracks in Jebel Ali are set to be transformed into a vibrant district

fostering social, economic, and environmental sustainability

The A.R.M Holding Mega Project has been framed as an effort to balance global architectural expertise with local cultural and social priorities. H.E. Mohammad Saeed Al Shehhi, the company’s CEO, underscores the importance of embedding Emirati identity within the development, positioning the project as part of a broader effort to rethink the relationship between heritage and urban expansion in Dubai. ‘This masterplan will serve as a bridge fostering communication, understanding, and principles of empathy that are central to our vision of enabling prosperity,’ he says. 

the masterplan weaves built forms and open, green spaces together across five square kilometers

Bjarke Ingels Group (BIG) takes a human-centric approach

all amenities and public spaces are accessible by a five-minute minute walk

commissioned by A.R.M. Holding

consideration of physical, emotional, social, and environmental dimensions foster connectivity across the ‘islands’

project info:

name: A.R.M Holding Mega Project

architect: Bjarke Ingels Group | @big_builds

location: Dubai, UAE

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Set to become one of Dubai’s most impressive new landmarks, UNStudio‘s Wasl Tower is nearing completion and continues to transform the city’s skyline with its sinuous form and advanced facade of ceramic fins. With structural design by Werner Sobek, the supertall tower rises 302 meters and draws on classical art’s ‘contrapposto’ stance — its twisted form suggesting a figure mid-stride. Currently in the final stages of construction, the project has been photographed by Nils Koenning, offering a unique glimpse into the next generation of mixed-use skyscrapers in the UAE.

Located on Sheikh Zayed Road, the project sits at a critical urban intersection in Dubai, linking the world-famous Burj Khalifa with the newer City Walk development. Its prominent placement along Sheikh Zayed Road ensures high visibility, especially as it stands opposite the Burj Khalifa without any other tall structures to compete with. A new pedestrian bridge connects the building to the Burj Khalifa metro station, extending accessibility while reinforcing its role as a node within Dubai’s ever-evolving infrastructure network.

images © Nils Koenning

the high-performance facade of ceramic fins

With one of the tallest ceramic facades in the world, the Wasl Tower in Dubai pushes the limits of facade design by blending tradition with performance. The architects at UNStudio and engineers at Werner Sobek cloak the tower in a lace-like grid of ceramic fins, crafted from low-tech glazed clay. This surface works to both reduce heat gain and enhance interior daylighting. Each fin is precisely angled at 12.8 degrees, a figure determined through parametric modeling to optimize shading and light diffusion. This outer skin is thus a passive cooling system which responds to the desert climate and offers a tactile visual identity that reads as both futuristic and traditional.

The Wasl Tower in Dubai introduces an unusual vertical seam that functions as a ‘vertical boulevard’ — a stacked procession of outdoor balconies and green terraces that run up the spine of the building. Crowned by a series of rooftop infinity pools, this seam brings a new level of permeability to high-rise living in a desert context. It also forms a crucial axis for public engagement, with programmatically rich zones that house dining, entertainment, and hospitality functions suspended far above the city.

Dubai’s Wasl Tower is a 302 meter skyscraper designed by UNStudio with structure by Werner Sobek

unstudio’s classical inspiration

With its Wasl Tower in Dubai, UNStudio draws inspiration from classical sculpture, rotating along its vertical axis in a dynamic contrapposto pose. Its complex geometry is supported by three massive 300-meter shear walls, which are linked by four strategic outriggers. This structural system enables an open and adaptable floorplate, meeting the demands of its mixed-use program — including office spaces, apartments, and a hotel — while allowing the building to gracefully twist and face multiple directions.

The project becomes a living element within the nightscape through its responsive lighting system designed by Arup. Hidden behind the ceramic fins, the system pulses with light patterns that mimic the tempo of urban life. During the day, the same ceramic system moderates solar exposure. At night, the tower becomes a glowing presence powered in part by PV panels integrated into the adjacent car park structure. The lighting concept flows from exterior to interior, especially in the tower’s public areas and sky lobby.

the building’s sculptural form is based on contrapposto and rotates along its vertical axis

To navigate its complex, multi-functional interior, UNStudio and Werner Sobek employ a layered vertical transport strategy. A total of seventeen elevators — including five for services — support the distinct programs within the tower. Express lifts connect major hubs like the ground floor, spa, sky lobby, and rooftop, while separate lift groups serve office workers, hotel guests, and residents. While streamlining circulation, this system enhances user experience by lending direct, efficient access between public and private zones.

As the Wasl Tower nears its anticipated completion later this year, Dubai prepares to welcome a new icon which actively engages with its climate, culture, and infrastructure. With its ceramic cloak, kinetic silhouette, and environmentally responsive features, the tower signals a forward-thinking future for high-rise design in the desert metropolis.

it features one of the world’s tallest ceramic facades made from low-tech glazed clay

ceramic fins provide shading and reflect light deep into the building

a vertical boulevard of outdoor balconies runs the full height of the tower

the tower is located on Sheikh Zayed Road between Burj Khalifa and City Walk

project info:

name: Al Wasl Tower

architect: UNStudio | @we.are.uns

location: Dubai, United Arab Emirates

contractual partner, lead engineering consultant: Werner Sobek | @werner.sobek

completion: expected late 2025

photography: © Nils Koenning | @nils_koenning

UNStudio team: Ben van Berkel, Gerard Loozekoot, Frans van Vuure with Nick Marks, Harlen Miller, Crystal Tang and Derrick Diporedjo, Machiel Wafelbakker, Dana Behrman, Roman Kristesiashvili, Filippo Lodi, Rene Wysk, Hans Kooij, Patrik Noome, Megan Hurford, Elizabeth White, Fernando Herrera and Aleksandra Sliwinska, Pietro Scarpa, Mihai Soltuz, Philip Wilck, Rutger Stefan Oor, Bao An Nguyen Phuoc, Nanang Santoso, Thomas van Bekhoven, Ka Shin Lu, Henk van Schuppen, Matthew Harrison, Jung Jae Suh, Jae Geun Ahn, Pieter Doets, Shankar Ramakrishan, Meng Zhang

advisors
structural, facade, MEP engineering: Werner Sobek
sustainability, acoustic engineering: Werner Sobek Green Technologies
local MEP engineering: Seed
architect of record: U+A Architects
light design: Arup
landscape architect: Green4Cities
cost consultant: Kulkarni Quantity Surveyors
FLS consultant: Aecom
vertical transportation: Dunbar & Boardman / TUV Sud
AV/IT consultant: Shen Milson Wilke
wind engineering: Wacker Ingenieure
kitchen consultant: Sefton Horn Winch
pool engineering: Barr & Wray
interior design hotel: GA Design
interior design F&B: AB Concept

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Completing a trilogy of nautical hotels, Jumeirah Marsa Al Arab opens its doors along Dubai’s shoreline. The new resort by Killa Design is positioned between the iconic sail-shaped Jumeirah Burj Al Arab and the wave-inspired Jumeirah Beach Hotel, drawing inspiration from the sleek contours of superyachts to continue this symbolic narrative. Its futuristic and sculptural form is defined by sweeping curves, from its sinuous silhouette to its wraparound terraces, that together evoke a sense of rhythm and movement that engages with the fluidity of the Arabian Gulf.

Led by Shaun Killa, the architect behind Dubai’s Museum of the Future, one of the resort’s defining architectural features is its grand, 36-meter-wide steel arch which sets the tone for the experiential journey. The circulation flows like the deck of a floating vessel, leading through a series of lounges, bars, and dining venues, ahead to the 386 rooms and 82 serviced residences that each speak to the timeless aesthetics of 1960s Riva yachts. Key sustainability initiatives are also integrated throughout, taking into consideration the structure’s environmental impact and the living experience. Self-shading terraces are utilized to reduce energy consumption by up to 40%, while a graywater recycling system effectively supports irrigation and landscaping. Meanwhile over 3,100 palms and 260,000 shrubs have been planted throughout the exterior spaces, maintaining a connection with nature.

image courtesy of Dubai Media Office

the nautical-inspired resort looks to the fluidity of 1960s yachts

With interiors completed in collaboration with HBA, AvroKO, and LTW Designworks, each guest room of Jumeirah Marsa Al Arab features a private terrace of at least 22 square meters, extending the living space into the landscape. The resort’s Presidential, Royal, and Pearl Suites feature layouts designed to feel like curated private residences rather than traditional hotel accommodations, with the Royal Suite appearing to float above the water. Its expansive 310-square-meter terrace and plunge pool offer uninterrupted ocean views, while the Pearl Suite includes a wraparound terrace and a private kitchen that can host up to 80 guests.

The private residences, ranging in size from 79 to 229 square meters, each also enjoy access to exclusive pools, fitness facilities, and spa services. Dubai-based studio Killa Design has designed these units as fully serviced homes, blending contemporary and bespoke artisanal details, particularly highlighted by a central atrium installation in the public space featuring over 1,500 hand-blown shell-shaped crystals from the Czech Republic’s crystal valley.

Jumeirah Marsa Al Arab opens its doors | image courtesy of Dubai Media Office

The resort’s gastronomic offerings include eleven dining venues, including a first-of-its-kind restaurant concept that transforms throughout the day, and a patisserie by celebrated pastry chef Pierre Hermé. Further elevating the ultra-luxury hospitality experience with opportunities for rejuvenation and retreat, Killa Design weaves natural light, panoramic Gulf views, and private terraces through the three floors of the TALISE Spa. The space’s design follows three guiding principles — Performance, Intention, and Empowerment — translated into therapies fusing advanced technology with holistic treatments. A 20-meter indoor pool, a dedicated women’s gym, and suites complete the spa’s immersive healing environment.

completing a trilogy of nautical hotels | image courtesy of Dubai Media Office

in dialogue with the waterfront landscape and architecture

The resort’s design reflects a broader architectural narrative that has continued to take shape along Dubai’s coastline over the years. ‘The site played a pivotal role in shaping the vision. We wanted to create a resort that responds not just to its immediate surroundings but the entire evolution of Jumeirah beachfront hospitality offerings,’ share the architects.

Marking a progression through time, this begins with tracing the traditional aesthetics of the neighboring Madinat Jumeirah’s Al Qasr and Mina Al Salam — together shaped like an Arabian citadel — transitioning through the contemporary expressions of Jumeirah Al Naseem which dot the shoreline. Killa Design envisions the final chapter as a futuristic form, establishing Jumeirah Marsa Al Arab resort as both a counterpoint and a complement to its neighbors, as well as a visual extension to the architectural symbolism of Jumeirah Burj Al Arab and the waters that tie the hotels together. 

in dialogue with the iconic Jumeirah Burj Al Arab | image courtesy of Jumeirah Group

image courtesy of Jumeirah Group

over 3,100 palms and 260,000 shrubs have been planted outdoors | image courtesy of Jumeirah Group

the resort’s gastronomic offerings include eleven dining venues | image courtesy of Jumeirah Group

interiors completed in collaboration with HBA, AvroKO, and LTW Designworks | image courtesy of Jumeirah Group

image courtesy of Jumeirah Group

386 rooms and 82 serviced residences speak to the aesthetics of 1960s Riva yachts | image courtesy of Jumeirah Group

image courtesy of Jumeirah Group

image courtesy of Dubai Media Office

project info:

name: Jumeirah Marsa Al Arab

architect: Killa Design | @killadesign_

location: Dubai, UAE

lead architect: Shaun Killa

interior designer: HBA | @hirschbednerassociates, AvroKO | @avroko, LTW Designworks | @ltw_designworks

The post inspired by superyachts, killa design’s jumeirah marsa al arab resort opens doors along dubai shoreline appeared first on designboom | architecture & design magazine.

Elon Musk and his Boring Company announce the construction of the underground tunnel Dubai Loop with 11 stations across the city’s major hubs. Elon Musk’s representative and Sheikh Hamdan bin Mohammed bin Rashid Al Maktoum – the Crown Prince of Dubai, Deputy Prime Minister and Minister of Defence of the UAE, and Chairman of The Executive Council of Dubai – sign the Memorandum of Understanding for the Dubai Loop tunnel project. The initial phase has 11 stations, spans 17 kilometers, and transports over 20,000 passengers per hour. As per the agreement, Elon Musk’s company then plans to expand Dubai Loop throughout the Emirate of Dubai. 

The agreement takes place during the 2025 World Government Summit in Dubai. It runs between February 11th and 13th, 2025 in the UAE. The attendance for the Dubai Loop signing ceremony includes Elon Musk’s representative from The Boring Company, James Fitzgerald, who is the Global Head of Business Development, and John Hering, Co-Founder and Managing Partner of Vy Capital, Lead Investor and Senior Advisor for The Boring Company. In attendance representing RTA and the Emirate of Dubai were His Excellency Mattar Al Tayer, Chairman of Dubai RTA, and His Excellency Omar Al Olama, the UAE Minister of Artificial Intelligence.

all images courtesy of The Boring Company

tunnel can cut the travel time around Dubai to ‘just minutes’

The Dubai Loop by Elon Musk’s The Boring Company plans to connect all the major hubs throughout the UAE city. Potential speeds allowed for the vehicles are up to 100 miles per hour. The company says that the tunnel can cut the travel time around Dubai to ‘just minutes.’ As mentioned, there are 11 stations spanning across the 17-kilometer tunnel. On the other hand, it is only the first phase of the Dubai Loop by Elon Musk’s The Boring Company.

From 20,000 passengers per hour, the expanded system aims to handle over 100,000 passengers once the expansion has finished and after the first phase. The Memorandum of Understanding involves conducting studies and exchanging information on the specifications and standards required by Dubai’s Roads and Transport Authority for the project. The creation of the Dubai Loop by Elon Musk’s The Boring Company aligns with Dubai’s sustainability goals, which is part of the Dubai Clean Energy Strategy 2050. There’s no news yet on when the construction begins.

view of the R&D Tunnel located in Hawthorne, California

at the present time, no news yet on when the construction begins

the initial phase has 11 stations, spans 17 kilometers, and transports over 20,000 passengers per hour

view of the Hyperloop tunnel

the signing takes place during the 2025 World Government Summit in Dubai

project info:

name: Dubai Loop

company: The Boring Company | @boringcompany

founder: Elon Musk

department: Roads and Transport Authority (RTA), Dubai | @rta_dubai

The post elon musk’s the boring company to build ‘dubai loop’ tunnel project appeared first on designboom | architecture & design magazine.

UNStudio, together with a multidisciplinary team of experts, has unveiled the masterplan for Expo City Dubai, a transformative mixed-use development that builds on the legacy of Expo 2020 Dubai. Located in the heart of Dubai, this ambitious project is planned to establish a new center for innovation, sustainability, and community-focused urban living in the UAE.

Expo City Dubai is rooted in the success of Expo 2020 Dubai, the world expo which ran from October 2021 until March 2022. The event attracted over twenty-four million visitors from 192 nations during its six-month run and later hosted COP 28. The newly announced masterplan transforms the site into a forward-thinking urban hub, designed to achieve LEED Gold and WELL Community Gold certifications. The team at UNStudio notes that this development will reflect a commitment to innovation, sustainability, and collaboration, and hopes to set a new standard for responsible urban growth.

UNStudio unveils Expo City Dubai as a sustainable urban hub | image © Hansinok

preserving and transforming the existing site

Developed by architecture studio UNStudio in collaboration with landscape studio SLA and engineering advisors at Buro Happold, the Expo City Dubai masterplan is a key component of the Dubai 2040 Urban Master Plan. It aligns with Dubai’s broader decarbonization goals and its roadmap to achieving net-zero emissions by 2050. The plan retains over 80% of the infrastructure and buildings from Expo 2020, ensuring cohesion while adapting to future needs. Covering 3.5 square kilometers, the city will eventually house more than 35,000 residents and 37,000 professionals, while continuing to attract around 50,000 visitors annually.

UNStudio’s masterplan preserves the spirit and fabric of the original Expo 2020 site while introducing a more efficient grid structure for improved navigation and accessibility. This shift from the organic layout of the former Thematic Districts creates a robust urban framework that supports sustainable growth. The phased development approach ensures flexibility, allowing the city to evolve in response to changing demands.

the masterplan retains 80% of expo 2020 infrastructure and brings a more efficient grid | image © HISM

the five districts of expo city dubai

The masterplan organizes Expo City Dubai into five distinct districts, each offering a unique mix of uses and amenities: Expo Downtown: A high-density mixed-use area featuring the tallest building in Expo City; Expo Fields: A model for healthy living, including sports fields, a school, homes, retail outlets, F&B venues, and an arena for large-scale events; Expo Hills: A low-density residential community with landscaped gardens and open spaces, offering a tranquil urban living experience; Expo Business: A campus-style environment for innovative and sustainability-focused businesses; Expo Valley: A low-density residential neighborhood adjacent to the masterplan site, set for completion in 2026.

Each district integrates green and blue spaces, creating a network of parks, gardens, and urban water features that enhance the quality of life for residents and visitors alike.

35,000 residents and 37,000 professionals will be live and work across five districts | image © HISM

The relocation of the Dubai Exhibition Centre (DEC) to the site introduces new opportunities for business, retail, and hospitality. Special attention has been given to the interface between the DEC and Expo City Dubai, ensuring a fluid and vibrant connection. What’s more, a new open park and micro-mobility paths will link Expo Valley to Expo City Dubai, to lend a sense of community and accessibility.

With the planned opening of Al Maktoum International Airport in 2030, Expo City Dubai is poised to become a destination for transit passengers and first-time visitors to the UAE. The masterplan includes unique local hotels, farm-to-table restaurants, and a rich cultural program, offering a welcoming introduction to Dubai’s dynamic spirit.

each district integrates green spaces local amenities and a mix of residential and retail | image © Plomp

The landscape and public realm design, led by SLA, is structured around the three themes of Expo 2020: Sustainability, Mobility, and Opportunity. This approach ensures a holistic, nature-based development, featuring extensive green and blue networks, vibrant plazas, and climate-resilient strategies. The inclusion of over 30,000 native trees and the creation of an urban ‘Expo Forest’ further enhance biodiversity and provide recreational opportunities for residents and visitors.

Expo City Dubai sets ambitious sustainability goals, including reducing energy and water consumption, increasing biodiversity, and promoting clean energy and alternative water sources. The masterplan prioritizes sustainable transport options, walkable spaces, and an abundance of green areas per person. All buildings are required to meet LEED Gold standards, while infrastructure and public realm projects aim for BREEAM Excellent certification. The WELL Community Gold Certification underscores the focus on health and wellness.

Expo City Dubai connects to Expo Valley by a new park and micro-mobility paths | image © HISM

the masterplan aligns with Dubai’s 2040 urban plan and net-zero emissions targets by 2050 | image © Plomp

Expo City Dubai achieves LEED Gold, WELL Community Gold, and BREEAM Excellent | image © Plomp

the landscape design will include 30,000 native trees planted | image © Plomp

project info:

name: Expo City Dubai

architect: UNStudio | @unstudio_architecture

location: Dubai, United Arab Emirates

client: Expo City Dubai

status: In progress

visualisations: © Plomp, HISM, Hansinok

landscape, public realm design: SLA

wayfinding strategy & concept design: Endpoint

lighting design: LDC

architect of record: EGIS/WMI

project management support: Vedra Developers FZ LLC

wind engineering: CPP wind

advisor: Buro Happold (mobility, sustainability, accessibility, environmental scope, fire & life safety design, infrastructure planning (wet &dry) roads and highways, traffic impact study, security, microclimate, cfd analysis, solid waste management, smart city, acoustics)

UNStudio team: Ben van Berkel, Caroline Bos with Arjan Pit, Dana Behrman, Aurelie Hsiao, Misja Van Veen, Allison Weiler, Michael Labory, Andi Balza, Olga Kotta, Chrysa Triantafyllidou, and Joshua Karategin, Nathan Ngo, Zacharoula Loizou, Yvonne Yuen, Rotem Shenitzer, Jinlai Song, Yimeng Ma, Valentina Amaya, Bart Chompff, Nathan van Nugteren, Lucas Di Gioia, Aleksei Lebedev, Daniel Diez, Juan Manuel Rodriguez, Jose Sanmartin Gonzalez, Carolina Boccella, Mircea Mogan, Hyunjin Park, Andrius Ribikauskas, Luca Fabbri, Alex Kalavech, Caroline Wang, Giovanni Cuguttu, Joe Tu, Luke Kim, Christian Maijstré, Felizitas Dochantschi, Inés Verna, Nawid Piracha, Anna Maria Pisani, Monica Palfy, Shaghayegh Shayan

The post site of expo 2020 dubai to become community-focused urban development by UNstudio appeared first on designboom | architecture & design magazine.

Encircled by Dubai’s towering skyscrapers and the hum of its design district, The Warp pavilion transports visitors through time, from ancient Japanese traditions to the emirate’s futuristic cityscape. Mitsubishi Jisho Design architects Kei Atsumi and Motoya Iizawa unveiled the immersive installation — envisioned as a zen Japanese tea garden — at the tenth Dubai Design Week, activated by a series of curated events including matcha tea ceremonies and design workshops.

The wooden pavilion’s core concept strives to bridge centuries-old Japanese craftsmanship with the latest in 3D printing, as Kei Atsumi tells designboom while we observe a charming tea ceremony. ‘There are over 900 unique pieces in this pavilion, each with a different shape and curve. This complexity is only possible with computational design,’ says the architect. All components were assembled using a Japanese joinery system, allowing for easy assembly, disassembly, and relocation. ‘Historically, this system was used in wooden shrines and temples… Here, we have adapted this approach for a more complex, modern shape,’ he continues.

all images by DUA Photography Studio

a portal through ancient japan to dubai’s futuristic cityscape

The Warp’s journey begins at the pebbled garden which weaves through to the tea house, an intimate wooden enclave that gently twists to echo the Arabian sand dunes. ‘You can really feel the Japanese spirit as you enter,’ Kei Atsumi tells designboom. ‘And once inside the tea house, you’re transported into the future, with the Burj Khalifa at the front and the Japanese garden behind.’ Entering through the nijiriguchi — a traditional small, low passage — visitors can partake in a matcha ceremony accompanied by a Japanese tea master.

Beyond fostering connections between time, history, and geographies, the concept of The Warp reinforces Mitsubishi Jisho Design’s Regenerative Wood technique — a circular production system that seeks to reintegrate waste into the forestry industry. ‘Typically, when using wood for architecture, furniture, or other products, only around 50% of the material is used — the rest is waste,’ Atsumi notes. ‘Here, we’re utilizing that and turning it into something sustainable and beautiful.’ The entire structure is then 3D printed from a wood composite that utilizes wood by-products. A blend of 30% recycled sawdust and 70% bioplastic was utilized to shape each of the curved panels that were connected without the use of any glue, nails, or metal fittings.

Mitsubishi Jisho Design architects Kei Atsumi and Motoya Iizawa unveil The Warp

crafted from 3d printing and traditional wood joinery

Kei Atsumi’s vision for The Warp merges traditional craftsmanship with computational design, exemplifying what he describes as ‘a new language of architectural expression.’ Computational modeling played a crucial role in generating the small, double-curved panels, each designed to slot seamlessly into, and support, the overall structure. ‘Modeling Japanese joinery in 3D is intricate,’ says Atsumi. ‘Only with computational design and 3D printing could we achieve this level of complexity and precision.’

on view at the tenth Dubai Design Week

The Warp transports visitors through time, from ancient Japanese traditions to Dubai’s futuristic cityscape

activated by a traditional Japanese tea ceremony

shaped from over 900 unique curved wood panels

an intimate wooden enclave that gently twists to echo the Arabian sand dunes

‘This complexity is only possible with computational design’

visitors enter through the nijiriguchi — a traditional small, low passage

the entire structure is then 3D printed from a wood composite that utilizes waste materials

the curved panels were connected without the use of any glue, nails, or metal fittings

a blend of 30% recycled sawdust and 70% bioplastic       

project info:

name: The Warp

architect: Kei Atsumi, Motoya Iizawa, Vibha Krishna Kumar, Mitsubishi Jisho Design | @mjd_architecture

program: Dubai Design Week | @dubaidesignweek

dates: November 5th — 10th, 2024

location: Dubai Design District, UAE

photographer: DUA Photography Studio | @dua.photography.studio

The post kei atsumi on bridging ancient japanese joinery & 3D printing at dubai design week pavilion appeared first on designboom | architecture & design magazine.

Leña Dubai, a steakhouse designed by Astet Studio, treasures the essence of the primitive, of fire, of embers, and of raw materials such as stone and wood. These natural elements form the basis for the gastronomic proposal in the heart of Dubai while imbuing the nocturnal interiors with an intense jet black — embodying charred wood using the Japanese technique Yakisugi — that envelops the walls, ceilings, floors, and furniture. This organic sense extends across the ceiling wherein sinuous lines, extruded at different heights and made of stained ash wood, evoke the rings of a cut tree trunk and form the luminous sculpture that covers the entire restaurant.

Subdued lighting creates the sensation that each of the rings are on fire, alongside which shadows accentuate volumes and arouse curiosity to explore the different corners of the interior. Adjacent to the slatted ceiling, a metallic element alternates, suggesting the gleam of fire flames and a gradient of tones — the materials suggesting a play of reflections and movements.

all images courtesy of Astet Studio

astet studio brings the luxury restaurant to dubai

The concept was initially established by Barcelona-based Astet Studio in the first Leña, located in Marbella, which received the award for Best Overall Design Restaurant by the Restaurant & Bar Design Awards in 2021. The studio has transferred this concept to Dubai for the Dani García Group while maintaining the premise of the power of fire: wood, firewood, its textures, its markings left by the passage of time, and its organic forms.

A backdrop of black forms showcase the colors of the meat and the dishes of the restaurant, evident also across the slatted ceiling where a gradient of this technique is created in different rings that are centred with the main counter. A large convex mirror reflects the restaurant space in a new perspective, while the stones used to generate fire also provide a visual tactile element, and two suspended rocky volumes create focal points and a contrast with the dark canvas. One is divided to reveal the kitchen, serving as a show kitchen, and the second accommodates the DJ area.

Leña Dubai enjoys a nocturnal ambiance

a contrast of raw and sleek materiality

An organically shaped wood wall accompanies visitors to the entrance, carved in rosewood and smoked glass. Upon passing through the threshold, a wall transforms into ceilings adorned with over 40,000 wooden scales, placed by hand, highlighting the artisanal character of the restaurant in harmony with the gastronomic offering. A large black piece on the ceiling leads the way to the bar and the bathroom area, where a suspended piece of wood and mirror captures perspectives of the luxurious space.

Astet Studio divides Leña Dubai’s bar into two pieces that are formally linked. The first interior piece pulls the ceiling rings together to form a suspended bottle rack, and the bar finish is created with pieces of wood showcasing varying degrees of scorching, forming a matrix reminiscent of a smoked image. The countertop, is made with a veined black tropical stone, while the slats from the interior extend into the bar area, creating a canopy that centralizes its visual prominence. They further form the bottle rack, with pieces of travertine alternating to create the same raw texture effect as inside. The outdoor area is conceived as a continuation of the interior, where organic forms create benches and gather customers in different nooks to enjoy the evening. The material palette, in beige and lighter tones, is complemented with lush vegetation.

the space is imbued with black, an intense jet black

The interior space is distributed in an open-plan layout, showcasing different nuances, colors, and textures. Large totems indoors create these separations and enhance the concept of primitive and ancestral — fire and nature. Fabric colors derive from the fire palette, alternating with the materials of the space, as large carpets made of stone materials, such as black Zimbabwe granite, differ across the floor.

The double-height wine cellar pours the restaurant’s collection of over 1,000 bottles into the dining area through a black steel and brass framed glass enclosure. This space, which houses different climatized zones for red, white, and sparkling wines, establishes a connection to the other restaurant of the group. Armchairs designed by Astet maintain a chromatic uniformity with the benches and sustain a palette of warm tones in shades of red and orange, which continue to evoke the nuances of fire. Tables with sculptural legs and suspended lighting, also designed by the studio, uphold the idea of functional sculptures.

Astet Studio brings tthe first Leña, located in Marbella, to Dubai

the smoked room: an exclusive dining experience

Another culinary space within Leña is Smoked Room, offering Fire Omakase, a 15-dish tasting menu where smoke is the guiding theme, in an exclusive experience for only 14 diners. The access is made through a dark passage with lines of lights guiding towards the restaurant, and a large sculpted black wooden door welcomes diners in. The material palette comprises black brick, that alternate with other richer materials such as metals, mirrors, and brass mesh.

With regards to the layout, Astet Studio conceived the space by creating two completely distinct atmospheres: the main dining area is Omakase, where diners can enjoy the whole experience of a tasting menu. When desserts come, the diners are invited to move to another space. The semicircular Omakase area allows for a theatrical experience where a large mirror shows the diners how the dishes are prepared and how plating is performed on ceramic plates of Japanese inspiration.

sinuous lines extruded at different heights evoke the rings of a cut tree trunk and form the luminous sculpture

the interior space is distributed in an open-plan layout

the sculptural ceiling guides diners through the organic volumes

organic forms and natural materials form the basis for the gastronomic proposal in the heart of Dubai

Smoked Room is an exclusive experience for only 14 diners

the Omakase area is semicircular, allowing for the theatrical experience of food preparation

a contrast of sleek and raw materials and textures

Leña Dubai entrance

the bathroom area

the washbasin area folds into a sinuous form with a brass skin

a play of lighting suggests the gleam of fire flames

project info:

name: Leña Dubai

designer: Astet Studio | @astetstudio

location: Dubai, UAE

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: ravail khan | designboom

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Ginco Properties and HKS have unveiled One Residence, a new highrise condominium tower in Downtown Dubai marked with a striking curvilinear facade. With the design concept led by Brad Wilkins, the structure is enveloped by a sequence of rounded earth-toned balconies that echo the UAE’s sweeping sand dunes, maritime heritage, and contemporary water-centric economy. From here, residents can enjoy expansive views of the city and its canals while sheltered from the sun by shading elements that harness the breeze to optimize thermal comfort. Construction of One Residence is scheduled to begin in the third quarter of 2024, with completion anticipated by 2027.

visual © Maqe

rhythmic curves unravel across the earth-toned facade

Luxury living in the heart of the city, One Residence emphasizes fostering community and well-being, with a focus on bridging indoors and outdoors, climate-sensitive features, and state-of-the-art amenities. Brad Wilkins, formerly of HKS, further marks One Residence’ fluid form by spacious floor plates, large outdoor areas, and scenic terraces. The building’s abstract geometries use contoured, patterned, and numerically arranged elements that persist in nature, purified in a rhythmic language that nods to the regional Emirati craft of Al Sadu weaving.

Nature is further integrated into the residences, as views of the outdoors are optimized to enhance well-being through scenic views including the visibility of biodiversity. Meanwhile, outdoor spaces meld into living areas, bringing in the sight, sound, and sensation of water to communal spaces to uplift and de-stress. Within, the tower houses 453 units, ranging from high-end studios to four-bedroom units, as well as co-working spaces, infinity-edge pools, a fitness center, outdoor lounges, a cinema, and a children’s play area.

Ginco Properties and HKS have unveiled One Residence | visual © Maqe

the highrise condominium tower is located in Downtown Dubai | visual © Maqe

residents can enjoy 360-degree views while sheltered from the sun by shading elements | visual © Maqe

rounded earth-toned balconies echo the UAE’s sand dunes and maritime heritage | visual © Maqe

the rhythmic facade further draws on Emirati Al Sadu weaving techniques | visual © Maqe

visual © Render Atelier

communal outdoor spaces for all residents | visual © Render Atelier

Brad Wilkins, formerly of HKS, leads the design concept | visual © Render Atelier

One Residence emphasizes fostering community and well-being | visual © Render Atelier

children’s play area | visual © Render Atelier

visual © Render Atelier

within, the tower houses 453 residences | visual © Render Atelier

residences feature large floor plates, outdoor areas, and scenic terraces | visual © Render Atelier

co-working space | visual © Render Atelier

amenities include a fitness center, outdoor lounges, and a cinema | visual © Render Atelier

project info:

name: One Residence
location: Dubai, UAE
developer: Ginco Properties | @gincoproperties
architect: HKS | @hksarchitects
design lead: Brad Wilkins

design team: Ala Hason, Carlos Garcia, Taylor Odell, Lily Zhang, Eliza Kifer, Arek Mazurek, Adam Murphy
collaborators: One Broker Group | @onebrokergroup
engineering: Datum Engineering Consultants | @datumconsultants
interior design: PH Design
visualizations: Maqe | @maqerendering,  Render Atelier | @render_atelier

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URB is slated to construct and open the world’s greenest highway in Dubai, UAE named ‘Green Spine’. The project, which is in line with the Dubai 2040 Urban Master Plan, is expected to have 100 percent renewable energy sources to power its infrastructure, mainly solar energy. Electric trams may run over railways cladded in solar panels, and urban farms and gardens surround the highway where people can grow their own food and plants.

The Dubai-based developer says the Green Spine extends for 64 kilometers along Sheikh Mohammad Bin Zayed Road (E311). Nearly eight million residents may benefit from the project, which aims to promote non-motorized transport and reduce the carbon footprint around the city. URB designs the Dubai Green Spine project. They have previously worked on the Dubai Reefs Project, Dubai Mangroves, and The Loop in Dubai.

all images courtesy of URB

URB spearheads world’s greenest highway in dubai

Gone are the overhead power lines since solar panels are integrated into URB’s world’s greenest highway architecture in Dubai. They are placed directly into the tram tracks to power up the electric trams. They contribute to generating over 300 megawatts of clean, renewable energy, the goal amount of the project. This number can help supply power to around 130,000 homes in Dubai. By switching to solar power from fossil fuels, the Dubai-based developer says there may be a carbon reduction of around 1,051,200 tonnes annually.

A series of smart technologies accompanies URB’s Dubai Green Spine and its solar-powered electric trams. Sensors can monitor traffic and energy use, while native flora encircles the pedestrian paths and cycling tracks for natural cooling and clean air. Residents may jog around the green spaces, and they can even grow their own food and plants on the planted agricultural vertical farms along the highway. A tailored drainage system that includes porous surfaces is on the way to prevent flooding and absorb rainwater.

parks surround URB’s Dubai Green Spine, the dubbed world’s greenest highway

Mixed-use commercial and leisure spaces around the highway

URB’s Dubai Green Spine may be a city on its own. Aside from its solar-powered electric trams, mixed-use infrastructure will rise in the area too. Amenities, commercial, and leisure spaces find their place within the world’s greenest highway. Since these areas are strategic points, residents may reduce the need for long commutes. Educational and cultural facilities, such as museums and schools, surround the green highway. They become hubs for families and communities, so they can stay around the Dubai Green Spine.

URB wants to highlight biodiversity. In this case, they have their eyes set on planting and accommodating more than one million trees of a variety of native species. These trees and plants can adapt, all the while incorporated along the urban highway. The developer adds that the Dubai Green Spine is in line with Dubai’s 20-minute city initiative. This aim centers on creating a city layout where people can access spaces and places within a 20-minute walk from their homes or where they are.

solar panels on the tram tracks

Aside from the urban farms, green roofs, parks, and vertical gardens emerge along the world’s greenest highway, the Dubai Green Spine. With this intention, the greenery may regulate high temperatures for a cool environment. They can also double as recreational spaces for everyone, and schools may hold their educational trips around these areas. The greenery also benefits from bioswales, which are similar to natural filters that catch rainwater runoff. 

They clean the collected water from dirt and pollution and reuse it around the facilities. In this way, the gardens and farms around the Dubai Green Spine are watered on time. Plans for walking, cycling, and recreational paths are underway too, so people can exercise along the dubbed world’s greenest highway. As of publishing the story, URB has yet to announce when they’ll begin construction. In the meantime, the Dubai Green Spine aligns with the Dubai 2040 Urban Master Plan, which may be the target year of opening.

URB says that Green Spine extends for 64 kilometers along Sheikh Mohammad Bin Zayed Road (E311)

mixed-use infrastructure to rise around the green areas too

greenery is also present within the mixed-use facilities and buildings

map of the construction for the world’s greenest highway in Dubai

the planned 60-kilometer project is in line with Dubai’s 2040 urban master plan

project info:

name: Dubai Green Spine

developer: URB | @urbplanning

location: Sheikh Mohammad Bin Zayed Road (E311), Dubai, United Arab Emirates

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Dorchester Collection’s The Lana and the Lana Residences have officially opened doors in Dubai, bringing a luxury resort to the urban heart of the city. The much-anticipated duo, commissioned by Dubai-based real estate developer OMNIYAT and designed by Foster + Partners, engages in dialogue with its waterfront location along the Marasi Bay Marina with subtle organic curves, green pockets, and fluid spaces.

Seven interlocking vertical gardens form the core of the development, each rooting the environmental and social focus of the design while enhancing availability of open spaces and allowing numerous break out spaces for guests, residents, and the public alike. Within, Gilles & Boisier’s interiors envelop the space with sleek material finishings, an interplay of textures, and muted hues that draw on the natural landscape of the UAE. The development sits beside the recently unveiled VELA, Dorchester Collection, sharing its vast glass facades, wraparound elevation, and fusion of indoors and outdoors for an elevated urban living experience.

all images courtesy of Nigel Young / Foster + Partners unless stated otherwise

foster + partners unveils new urban waterfront development

Comprising two interlocked volumes – one for the hotel and one for residents – the development is lightly lifted off the ground, rising to 31 and 30 stories, respectively. The arrival sequence, following the scenic waterfront, is marked with a grand water feature and a series of sculptures. Within, residents can enjoy exclusive access to the Members Garden, while on the roof the hotel guests can relax in the Sky Garden, with panoramic views of the Dubai skyline, with Rooftop Gardens and an exclusive infinity pool on three sides.

The building’s elevation ensures visual continuity between the marina and the approach road, while creating a landscaped public space at the center of the site hosting shops, restaurants, and cafés. Wrapping around the elevation, the waterfront dining spaces, both indoor and outdoor, are contained within double and quadruple height spaces engulfed with greenery. Hidden off one of these spaces is the Secret Garden which offers respite from the bustle of the promenade.

Throughout The Lana and the Lana Residences, Foster + Partners has integrated deep overhangs to shade the interior spaces and gardens, ensuring optimal usability year round. Thin floor plates create a unique form and lend each room its own private balcony with vistas of the waterfront and city beyond. Alongside passive cooling strategies, the depth of the balconies additionally reduces the need for mechanical cooling throughout the year.

a water feature, sculptures, and scenic vistas over the waterfront define the arrival sequence

gilles & boissier’s interiors evoke the charm of the desert

Stepping inside, the sleek minimalism and stylistic flair of Gilles & Boissier find expressions across the lobby, restaurants, guest rooms, and spa. The Parisian design firm has drawn inspiration from the UAE’s desert landscape and its cultural influence to define its visual expressions. A fusion of locally-sourced raw and polished materials throughout lend a touch of theatricality, while bespoke furniture integrations alongside an eclectic curation of pieces by local and international artists alike tie the spaces together. A variety of marbles in gentle shades of pink and beige complement darker stones like grey and black come together to create a dynamic layered effect.

two interlocking blocks house the hotel and residential apartments

designed by Foster + Partners and developed by Dubai-based OMNIYAT | image courtesy of Ahmed Alnaji

gardens punctuate the towers

panoramic views of the skyline | image courtesy of Ahmed Alnaji

image courtesy of Ahmed Alnaji

project info:

name: The Lana and The Lana Residences, Dorchester Collection

location: Dubai, UAE

architecture: Foster + Partners

interior design: Gilles & Boissier

developer: OMNIYAT

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