BBWORKSPACE’s extension for a café in Chiang Mai wraps an outdoor terrace in vibrant, iridescent panels that refract shifting colors across the space throughout the day. THE FACETS sits within a district in Thailand known for its gemstone trade, and it explores how the optical, tactile, and symbolic properties of this craft might be translated into an immersive spatial experience. Through calibrated materials, light-responsive surfaces, and sculptural detailing, the building is transformed into a physical reflection of the objects it quietly references.

The intervention unfolds across two crystalline volumes. The original structure has been preserved and wrapped in a rhythmic grid of clear glass blocks, alternating in two sizes to evoke the structured clarity of a cut gem. The chromatic restraint — white, silver, and translucent — allows the renovated volume to glow softly at night, echoing the interior illumination of a display case. This luminous quality evokes the moment when a stone is brought into light. To the side of this, a newly built extension introduces contrast by referencing the faceted geometry of a diamond. The Thai practice forms this addition from a steel frame clad in dichroic acrylic panels that shift color throughout the day. As the sun moves, the facade glints with iridescent pinks, blues, and yellows, casting light and shadow in subtle motion.

all images by Rungkit Charoenwat

bbworkspace extends the café through two interventions

Inside, BBWORKSPACE transitions the concept from polish to origin, reimagining the pre-refinement state of a gemstone. The architects have shaped wall surfaces to suggest geological strata and stone caves, textured and matte, which contrast the high-gloss elements dispersed throughout. A sharply angular mirrored counter produces a refracted floor glow, while ceiling-suspended acrylic panels catch light and breeze with quiet movement. Throughout, the palette also remains light in form and tone to recall aquamarine, amethyst, citrine, and garnet, while furniture forms are abstracted from raw mineral shapes, but rendered with contemporary finish and transparency.

The garden at THE FACETS softens the geometry. A free-form pond loops through the outdoor seating area, doubling as a reflective surface for the architecture. Surrounding foliage is also carefully considered to provide contrast to the crystalline clarity of the buildings, and a low curved wall built from handmade clay bricks subtly reintroduces a local material tradition, grounding the project in place and providing a textured counterpoint to the sleekness of the café volumes.

BBWORKSPACE creates an extension for a café in Chiang Mai

the intervention at THE FACETS unfolds across two volumes

this extension introduces contrast by referencing the faceted geometry of a diamond

made from a steel frame clad in dichroic acrylic panels that shift color throughout the day

the space transformed into a physical reflection of the objects it references — the gemstone

the facade glints with iridescent pinks, blues, and yellows, casting light and shadow in subtle motion

the garden at THE FACETS softens the new geometries

inside, the architects have shaped wall surfaces to suggest geological strata and stone caves

BBWORKSPACE integrates calibrated materials, light-responsive surfaces, and sculptural detailing

the renovated volume glows softly at night

project info:

name: The Facets

architect: BBWORKSPACE | @bbworkspace

location: Chiang Mai, Thailand

lead architect: Kotchakorn Piraban

lead interior designer: Jarasphong Cheuapool

photographer: Rungkit Charoenwat 

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VV Desine Landscape Architecture conceives Premio Unic, a 340-unit condominium development in Bangkok, Thailand, designed to integrate landscape architecture with the environmental context of the site. The project incorporates a network of gardens and elevated spaces to provide multiple landscape experiences within a residential setting. The design approach emphasizes ecological integration, spatial efficiency, and material consistency.

The landscape strategy is based on creating layered green zones that serve both functional and environmental roles. These include ground-level gardens that facilitate circulation between separate lobbies, and an elevated pool deck positioned within the tree canopy. This configuration supports visual privacy, climatic comfort, and spatial hierarchy. A recurring motif, derived from fingerprint patterns, informs the organization of exterior spaces. This formal language is adapted across the site to accommodate the built footprint, circulation routes, and programmatic requirements. The fingerprint concept is expressed through hardscape geometry and material transitions, offering a coherent spatial identity across the development.

gardens and elevated lounge areas blend with the landscape | all images courtesy of VV Desine Landscape Architecture

Premio Unic’s design emphasizes ecological responsiveness

Vegetation is selected to establish microhabitats, delineate outdoor rooms, and contribute to biodiversity. The arrangement of plant species supports visual screening and ecological functionality, contributing to a system of interconnected green areas that provide shelter and pathways for urban wildlife. VV Desine Landscape Architecture Studio designs the podium-level pool as an extension of the garden system, visually embedded within the surrounding canopy. Shade structures at the ground level provide comfort and delineate semi-private zones. Circulation paths, courts, and pavilions are integrated into the overall plan to structure movement and offer varied spatial experiences.

The landscape design of Premio Unic emphasizes modular integration with the built environment, ecological responsiveness, and the creation of a consistent formal language. This approach enables both human and non-human users to engage with the site while maintaining alignment with the building’s architecture and programmatic intent.

the flowing fingerprint pattern acts as a unifying motif that shapes the site’s identity

the podium-level pool ensures privacy through elevation, framed by tall trees that enhance seclusion

the fitness area overlooks the garden and pool, linking vertical and horizontal spaces

the usable area features a swimming pool surrounded by tall trees, planted to create a sense of privacy

the seating area is shaded by mature trees, merging comfort, identity, and design within the landscape

the fingerprint pattern unifies the space, adding order and coherence to the communal landscape

the garden pod is layered into flexible zones for relaxation, socializing, and leisure

a counter-height relaxation zone sits beneath mature trees, offering a shaded setting

the pavilion, shaped by a stacked motif, features seating amongst tall trees and lush greenery

the fingerprint motif extends beyond the garden, appearing on the facade as a key visual element

project info:

name: Premio Unic
architect: VV Desine Landscape Architecture | @vvdesine

location: Bangkok, Thailand

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: christina vergopoulou | designboom

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Somewhere between a backyard fort and a modernist miniature, the Kid Cabin by Imaginary Objects is like a dream treehouse in Thailand. Recently completed in Chonburi, the playful project is not perched in the trees but rooted in the landscape, striking a balance between groundedness and imagination. Like a micro-retreat for children, the cabin is designed with an element of wonder while maintaining an architectural sensitivity.

Found in a sweeping field alongside an RV, the Kid Cabin is at once a hideaway and a station for watching the horizon. Inspired by the informal magic of treehouses but opting for a firmly grounded foundation, the cabin leans into ideas of simplicity, tactility, and open-air living. The lightweight teak structure is a nod to traditional Thai housing vernaculars, yet it’s refreshingly unburdened by nostalgia. It contains just two small bedrooms, a shared bathroom, and a breezy open deck that acts as the de facto living room — a liminal zone where inside and outside trade places.

images © Jinnawat Borihankijanan

kid cabin: a house designed for children

The Kid Cabin is a study in permeability by the design team at by Imaginary Objects. The bedrooms feature windows that open wide , turning walls into nothing and making nature an immediate house guest. The deck extends outward with a cantilevered table that dares you to dine, draw, or daydream at the very edge of the cabin’s footprint. Every gesture of the architecture encourages immersion. This is not a space that keeps its inhabitants separate from the outdoors — it insists them step into it.

Kid Cabin by Imaginary Objects Scales Everything to Kid Logic is designed at a child’s scale. Steps, ladders, and even the bathroom door are all sized to child-sized dimensions, subtly teaching young inhabitants that space can respond to them, not the other way around.

By including a large communal sink front and center, Imaginary Objects anticipates the chaos and curiosity that kids bring with them. Whether rinsing off muddy finds from the field, washing paintbrushes, or prepping for a science experiment, the space is primed for play and process. The project is not afraid of mess. Rather, it symbolizes an invitation to make one.

Kid Cabin is a grounded treehouse-inspired retreat for children in Chonburi, Thailand

the lightweight teak structure draws from traditional Thai houses while feeling fresh and contemporary

a cantilevered table extends from the deck, encouraging dining creativity and connection to the landscape

Kid Cabin blurs the line between interior and exterior with wide, openable windows

two compact bedrooms, a shared bathroom, and an open-air deck define the modest layout

the cabin’s elements like steps, ladders, and doors are scaled specifically for children’s proportions

Imaginary Objects invites kids to engage directly with nature and embrace messiness

project info:

name: Kid Cabin

architect: Imaginary Objects | @imaginaryobjects.co

location: Chonburi, Thailand

area: 45 square-meters

completion: 2024

photography: © Jinnawat Borihankijanan | @jinn.bor

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ASWA (Architectural Studio of Work – Aholic) has completed a mixed-use building in Bangkok’s Thonglor area, integrating a golf simulation center with residential spaces. The design of PLP City Range incorporates concave and convex precast concrete panels on the facade, visually referencing the arc of a golf swing. These panels create dynamic light and shadow effects throughout the day while serving functional purposes, such as managing natural light for indoor golf simulation areas.

The entrance and future retail spaces feature steel elements inspired by the streamlined shape of a golf driver. Semi-reflective materials enhance the visual contrast, emphasizing a contemporary aesthetic. The six-story structure is designed with distinct functions on each level, optimizing space for various uses.

all images by Soopakorn Srisakul unless stated otherwise

Layered layout by ASWA Integrates Recreation and Living Spaces

The design team at ASWA (Architectural Studio of Work – Aholic) arranges the main lobby, retail areas, and on-site parking on the ground floor. The second floor houses a youth indoor golf simulation area, accompanied by a canteen. The third floor offers a VIP golf simulation bay, private rooms, and a bar area. The fourth floor features a semi-outdoor chipping and putting green, along with a multi-sport court designed to utilize natural ventilation.

The upper levels accommodate residential spaces, with the fifth and sixth floors designed as bare-shell double-volume units. Large, strategically placed curved glass openings provide panoramic views of the Thonglor area while maintaining controlled lighting conditions for the golf simulation equipment. The combination of opaque and transparent materials ensures a balance between functionality and openness, integrating recreational and residential elements within the urban environment.

ASWA completes a mixed-use building in Thonglor, combining a golf simulation center with residential spaces

the building’s facade features concave and convex precast concrete panels | image by Phuttipan Aswakool

the entrance incorporates steel elements inspired by the shape of a golf driver | image by Phuttipan Aswakool

semi-reflective materials highlight the contrast between solid and transparent surfaces

dynamic light and shadow effects shift across the exterior, enhancing its form

the six-story structure is organized with distinct functions on each level for efficient space utilization

the structure blends recreational and residential functions within an urban setting

the ground floor includes a main lobby, retail spaces, and on-site parking facilities | image by Phuttipan Aswakool

the combination of materials and forms creates a cohesive visual identity | image by Phuttipan Aswakool

thoughtfully placed openings maximize natural light contributing to the spatial experience | image by Phuttipan Aswakool

curved glass openings provide panoramic views of the Thonglor area | image by Phuttipan Aswakool

project info:

name: PLP City Range mixed-use

architects: ASWA (Architectural Studio of Work – Aholic) | @aswa_bangkok

lead architect: Phuttipan Aswakool

location: Bangkok, Thailand

area: 2,750 sqm

photographers: Soopakorn Srisakul | @soopakornsrisakul, Phuttipan Aswakool

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: christina vergopoulou | designboom

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Architect’25 unites Southeast Asia’s architectural leaders and enthusiasts in celebrating the evolution of Thai architecture. The expo elevates the country’s architecture to the global stage with its central theme, ‘Past Present Perfect,’ covering a wide array of disciplines, from architecture design, landscape design, interior design, and urban planning. The event features six ‘Thematic Pavilions,’ the iconic masterpieces in Architect’25, along with comprehensive building and construction innovations from over 1,000 global exhibitors.

Architect’25 takes place in Bangkok from April 29 to May 4, 2025 | all images courtesy of ArchitectExpo

ARCHITECT’25 UNITES PROFESSIONALS ACROSS A MASSIVE VENUE

As the largest building technology exposition in ASEAN (the Association of Southeast Asian Nations), Architect’25 is scheduled to take place from April 29 to May 4, 2025, at Challenger Hall, IMPACT Muang Thong Thani, Bangkok. Organized by the Association of Siamese Architects under Royal Patronage (ASA) in collaboration with TTF International Co., Ltd., the event spans a vast 75,000 square meter venue with over 1,000 exhibitors. Expected to draw around 325,000 visitors, this 37th edition offers a comprehensive exploration of architecture and building technology, bringing together leading brands from Thailand and abroad. Divided into five primary sections – Main Exhibition, Academic Exhibition, Professional Exhibition, Activity and Service Areas, and Forum & Seminars – Architect’25 caters to both industry professionals and enthusiasts alike.

Main exhibition under the theme of ‘Past Present Perfect’

BRIDGING design and building material IN THAI ARCHITECTURE

A standout feature of Architect’25 is the ‘Thematic Pavilion,’ a creative collaboration between emerging designers and construction material suppliers, showcasing large-scale, imaginative work of art. Six distinct pavilions are set to be presented, each offering its own unique perspective.

S-ONE, in collaboration with architects from Looklen Architects

NIPPON PAINT, in collaboration with architects from pbm

VG, in collaboration with architects from ativich

VANACHAI, in collaboration with architects from FLAT12x

WOODDEN, in collaboration with architects from POAR

FAMELINE, in collaboration with architects from Architects & Associates

Enriching the exhibition further are displays by leading brands from building and construction industry over 1,000 global exhibitors such as TOSTEM, MAKITA, TAK W+G, DEWALT, MITSUBISHI, YKK AP, FORMICA, MILWAUKEE, EPSON, KOHLER, CANON, DONGKUK STEEL, AICA WILSONART, NIPPON PAINT, PANASONIC, among others.

Be part of Architect’25 from April 29 to May 4, 2025, and dive into a dynamic program that fosters innovation, collaboration, and professional growth in the heart of ASEAN’s architectural scene. For more details and updates, visit the ArchitectExpo website and pre-register here.

project info: 

name: Architect’25

organizer: The Association of Siamese Architects under Royal Patronage (ASA)

partner: TTF International Co., Ltd.

dates:  April 29 to May 4, 2025

location: IMPACT Muang Thong Thani, Bangkok

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Named after the Thai word for ‘raw’ or ‘authentic,’ Dib Bangkok, Thailand’s first major museum dedicated to international contemporary art, is set to open in December 2025. Kulapat Yantrasast and WHY Architecture transform a 1980s warehouse in downtown Bangkok to host the 6,600-square-meter, three-story institution featuring eleven gallery spaces, a central courtyard, an outdoor sculpture garden, and a penthouse for special events.

Including over 1,000 works by more than 200 artists, the museum’s collection spans painting, sculpture, photography, large-scale installations, and new media, with most pieces dating from the 1990s to the present. Dib Bangkok’s inaugural exhibition, Invisible Presence, honors the artistic vision of art collector and singer Petch Osathanugrah, showcasing major works from this expansive collection. Including artists such as Montien Boonma, Lee Bul, Anselm Kiefer, and Alicja Kwade, the exhibition explores the interplay between visible and hidden forces in contemporary art.

images courtesy of Dib Bangkok

Dib Bangkok unfolds across three levels

The museum, founded by Purat (Chang) Osathanugrah, carries forward the artistic legacy of his late father, Petch Osathanugrah, whose renowned private collection serves as the foundation for Dib Bangkok’s exhibitions. Reflecting Bangkok’s evolving role as an international art hub, American practice WHY architecture’s design follows a contemplative journey across three levels. The ground floor retains the industrial origins of the former warehouse with exposed concrete surfaces, creating a raw, grounding experience. The second floor, inspired by introspection, features an old Thai-Chinese window grille—a vestige of the building’s past—encouraging a deeper connection between space and history. The top floor is dedicated to white-cube galleries illuminated by natural skylights, culminating in the sawtooth roof that defines the silhouette of the museum. Additional architectural highlights include The Chapel, a cone-shaped gallery clad in mosaic tiles, designed as a meditative space for immersive installations.

‘At Dib Bangkok, we see art as the ripest fruit of human imagination—something to be savored, questioned, and shared. But more than that, we’re building Dib Bangkok to be a true creative oasis, a bridge between Thailand, Southeast Asia, and the global art scene— where deep art circles and the simply curious can come together.’ says founder Purat (Chang) Osathanugrah. ‘Bangkok, with all its energy, creativity, and unstoppable spirit, has long been overdue for an anchor to its contemporary art scene that matches its vibrancy—somewhere that celebrates art in a way as dynamic and bold as the city itself.

Dib Bangkok is Thailand’s first major museum dedicated to international contemporary art

a global platform for artistic exchange and creative learning

Dib Bangkok’s leadership team brings together international expertise. Dr. Miwako Tezuka, former Gallery Director of the Japan Society in New York, serves as the museum’s director, while Ariana Chaivaranon, with experience at Harvard Art Museums and UCCA Center for Contemporary Art in Beijing, takes on the role of curator. Together, they aim to position Dib Bangkok as a global platform for artistic exchange and creative learning. Beyond its exhibitions, Dib Bangkok willl also serve as a cultural hub, fostering dialogue among artists, curators, and the public. As Thai art scene continues to expand, the museum marks a significant step in connecting Bangkok with the international contemporary art world.

WHY Architecture transforms a 1980s warehouse in downtown Bangkok into a three-story institution

the museum houses eleven gallery spaces, a central courtyard, an outdoor sculpture garden, and a penthouse

Petch Osathanugrah’s private collection serves as the foundation for the exhibitions at Dib Bangkok

WHY architecture’s design follows a contemplative journey across three levels

exposed concrete surfaces create a raw, grounding experience

beyond its exhibitions, Dib Bangkok aims to serve as a cultural hub

skylights illuminate the gallery space

project info:

name: Dib Bangkok | @dibbangkok

architect: WHY Architecture | @why_site

location: Bangkok, Thailand

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Uthai Thani House, located in Thailand, is designed by I Like Design Studio to accommodate the future retirement of its owner. Raised in Uthai Thani Province as part of a traditional farming family, the owner moved to Bangkok for education and work but always envisioned returning to her peaceful hometown to live with her family. The plot of land where the house sits once belonged to her grandparents. Currently, her father lives in a 100-year-old wooden house that has fallen into disrepair. The owner sought to create a modern house that could bring her family together, balancing the desires of her father, who values traditional wood-based design and natural ventilation, and her own preference for a contemporary home.

images © Soopakorn Srisakul

Modest Living Spaces with a Focus on Nature

The Uthai Thani House hybridizes modern design with elements traditional to Thailand, thus accommodating the family’s varying preferences. The challenge for the architects at I Like Design Studio was to reconcile the client’s father’s desire for a simple, natural, and air-conditioned-free lifestyle with the owner’s preference for a modern living space. The design ensures both generations can live comfortably within the same home. The result is a house that honors the father’s lifestyle while offering modern conveniences for the owner.

The living room is simple and modest, with a focus on natural light and ventilation. From the entrance, the living and dining areas are framed by a narrow perspective, drawing attention to the green backdrop of surrounding trees. This design feature brings a touch of nature into the living spaces, creating an open and welcoming environment. Behind the living area is a large Thai kitchen, which aligns with the family’s communal cooking habits. The interior space is also designated as the owner’s work area, providing a space for occasional rest before transitioning to the house full-time.

Uthai Thani House is designed to accommodate the future owner’s retirement in Thailand

the family-oriented home in Uthai Thani

Uthai Thani House’s design includes a breezy bedroom for the client’s father, located at the far end of the ground floor. The father, who prefers to sleep on the bottom floor, wanted a safe yet breathable space. The bedroom’s design features a wall that allows airflow while maintaining privacy and security. On the other side of the room is a wooden door that can be rotated to open during the day to allow fresh air and outdoor views. At night, the door can be closed and locked for security, providing peace of mind to the family.

The second story of the home is dedicated to the owner’s bedroom, offering a larger, more modern living space. The master bedroom features a spacious balcony that connects to a walkway balcony, providing panoramic views of the rice fields that stretch as far as the eye can see. This balcony also serves as an awning for the first floor, offering shade and protection from the elements while maintaining a connection to the surrounding natural environment.

the client grew up in Uthai Thani Province and returned to live with her family

Uthai Thani House’s design draws inspiration from the traditional lifestyle and preferences of the client’s father. The design team aimed to preserve his way of life, which included a preference for wooden structures and the open space beneath traditional Thai homes, while adapting the design to modern needs. This approach ensures the father can continue to live comfortably in his traditional manner without altering his habits, while the homeowner, accustomed to modern living, can enjoy the conveniences of contemporary design.

While the architecture retains many traditional elements, the project also introduces a modern steel construction that enhances structural strength. The design uses wood primarily as a surface covering material for easy maintenance, allowing for a modern aesthetic while maintaining traditional warmth. The house is constructed using old wood that the client’s father had collected over time. Despite the variety of woods used, the architect ensured the color tones were consistent, a challenging yet rewarding task that holds deep sentimental value for both the owner and her father.

the house balances traditional wooden design with modern living preferences

the living room is simple and open with views of surrounding trees

a primary bedroom features a balcony with panoramic views of rice fields

old wood collected by the client’s father is used for the house’s surface materials

a large Thai kitchen supports the family’s communal cooking habits

project info:

name: Uthai Thani House

architect: I Like Design Studio | @ilikedesignstudio

location: Uthai Thani, Thailand

area: 660 square meters

completion: 2023

photography: © Soopakorn Srisakul | @soopakornsrisakul

design team: Narucha Kuwattanapasiri, Chutimont Chanok-ovat, Siriprapa Prasompan
interior architect: Narucha Kuwattanapasiri, Chutimont Chanok-ovat
structural, system engineer: Kor-It Structural Design and Construction Co.

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A hub for manufacturers, creators, designers, and buyers, STYLE Bangkok 2025 brings together local Thai design and international talents showcasing groundbreaking ideas, sustainable solutions, and trend-defining concepts. Set to take place from April 2–6, 2025, at the Queen Sirikit National Convention Center (QSNCC) in Bangkok, Thailand, the fair brings together cutting-edge aesthetics, eco-conscious production, and global networking opportunities. With a curated showcase spanning seven lifestyle categories, STYLE Bangkok 2025 is more than an exhibition; it is a dynamic platform for reimagining the future of design.

more than just an exhibition, STYLE Bangkok is a curated experience, presenting an inspiring fusion of tradition and modernity across seven diverse categories | all images courtesy of STYLE Bangkok 

An Interactive Experience Beyond Traditional Exhibitions

Organized by Thailand’s Department of International Trade Promotion (DITP), Ministry of Commerce, and the Board of Trade of Thailand, STYLE Bangkok 2025 is the ultimate international platform where visionary creativity and responsible design take centre stage. More than just an exhibition, this is a curated experience, presenting an inspiring fusion of tradition and modernity across seven diverse categories: Furniture, Home Décor, Fashion, Houseware, Health & Beauty, Gifts, and Toys.

For its 2025 edition, the event highlights sustainability and original design through exclusive exhibitions, competitions, and networking programs. Attendees get to experience groundbreaking ideas and materials that support a greener future, with key features such as the ASEAN Furniture Design Award, the DEmark Award Exhibition, and the New Faces pavilion spotlighting next-generation talents.

a hub for manufacturers, creators, designers, and buyers, STYLE Bangkok 2025 brings together local and international talents

Showcasing Emerging and Established Design Talent

STYLE Bangkok 2025 is home to some of the most exciting creative showcases in Southeast Asia. Under the royal initiative of HRH Princess Sirivannavari Nariratana Rajakanya, the ‘Pha Thai Sai Hai Sanook’ project reinvents Thai textiles, seamlessly integrating tradition into contemporary fashion and lifestyle products. Meanwhile, the ASEAN Furniture Design Award challenges emerging designers to rethink sustainable seating, emphasizing eco-conscious materials and ESG-driven innovation.

Specifically, The STYLE Gallery, a collaborative effort with top Thai art institutions, is blurring the lines between art and function, while the DEmark Award Exhibition, in partnership with Japan’s Good Design Award (G-mark), honors outstanding Thai designs. Moreover, the New Faces pavilion introduces rising SME brands and young designers, unifying creativity with commercial potential.

the event is set to redefine the future of lifestyle industries, from timeless craftsmanship to ethically sourced innovative materials

Beyond exhibitions, the fair acts as a premier trade platform for industry professionals, where more than 25,000 visitors – including buyers, architects, interior designers, and retailers – are expected to attend, making it an invaluable space for collaboration. To top it off, business matching programs, networking receptions, and live commerce sessions provide opportunities to forge strategic partnerships, expand market reach, and explore the latest trends in sustainable design.

Needless to say, STYLE Bangkok 2025 is designed as an immersive experience, featuring live demonstrations, maker labs, and interactive workshops. Visitors can engage with artisans and material craftsmen, witnessing firsthand trendsetting lifestyle products. Finally, live commerce and digital streaming bring Thai lifestyle products to a global audience, combining traditional artistry with modern digital engagement.

as industries embrace the transformation towards a greener and more ethical future, STYLE Bangkok 2025 serves as a catalyst for transformative solutions

the platform stands as a visionary marketplace, driven by Creativity, Diversity, and Sustainability

the fair has it all, from handmade home décor crafted by local artisans to high-tech sustainable fashion innovations

STYLE Bangkok also provides a prime opportunity for brands to expand their market reach

the 2025 event includes dedicated business matching programs, networking receptions, and live commerce sessions     

project info:

name: STYLE Bangkok 2025 | @stylebangkokfair

location: Queen Sirikit National Convention Center (QSNCC), Bangkok, Thailand

dates: April 2–6, 2025

pre-register now: https://evcnx.co/ZUkZy

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Located in Phitsanulok, Thailand, DIFF Coffee Roasters consists of two cubic volumes—one gray and one black—connected by a triangular bridge. The café’s design by ASWA (Architectural Studio of Work – Aholic) incorporates an existing large tree, integrating natural elements into the spatial arrangement and providing shaded outdoor seating. The material palette includes smooth concrete, wood, and glass, reinforcing a minimalist design approach.

all images by Soopakorn Srisakul, courtesy of ASWA (Architectural Studio of Work – Aholic)

ASWA links café’s geometric volumes with triangular bridge

The larger gray volume, positioned at the forefront, features a series of triangular openings that allow light to filter through, creating shifting patterns within the space. DIFF Coffee Roasters’ interior is defined by a high-ceilinged atrium, where triangular skylights emphasize verticality and openness. 

The smaller black cube, housing the bar, contrasts with the main café through square openings and distinct voids that shape the lighting and spatial experience. The triangular bridge linking the two structures establishes a visual and functional connection, enhancing circulation between spaces. The overall composition by ASWA architectural studio balances geometric forms, material contrasts, and natural integration, creating a setting that encourages interaction and relaxation.

ASWA integrates geometric forms with natural elements in this Phitsanulok café

the café’s design incorporates an existing tree, providing shaded outdoor seating

smooth concrete, wood, and glass define the minimalist material palette

the existing tree integrates with the built environment

shifting light patterns enhance the dynamic spatial experience

a high-ceilinged atrium inside the gray cube emphasizes openness

triangular skylights introduce vertical light into the café’s interior

the design balances material contrasts between concrete, wood, and glass

light and shadow interact across surfaces, adding depth to the space

the café’s layout encourages both movement and relaxation

a dynamic interplay of forms, light, and nature defines the experience

geometric voids shape the café’s interior ambiance

DIFF Coffee Roasters features two cubic volumes linked by a triangular bridge

project info:

name: DIFF Coffee Roasters
architects: ASWA (Architectural Studio of Work – Aholic) | @aswa_bangkok

design team: Phuttipan Aswakool, Chotiros Techamongklapiwat, Prassapol Sanguanwattanaraksa, Napasorn Luengkiattikhun, Visarut Vongjirasak

location: Phitsaulok, Thailand

area: 800 sqm

photographer: Soopakorn Srisakul

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: christina vergopoulou | designboom

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Baan Sao Yong Hin residential project by Housescape Design Lab is located in Lom Sak District, Phetchabun Province, Thailand. Situated within the Phetchabun Basin, the site’s defining geographical feature is Khao Nam Ko Yai, a prominent mountain that influences local wind patterns. The recurring downslope wind passing through the house and the presence of large subsurface gravel deposits informed key design decisions. The use of stone as a foundation, a technique rooted in regional vernacular architecture, was integrated into the structural system.

The design process was guided by extensive research on vernacular construction methods, particularly referencing the study ‘Hean Sao Yong Hin’ by Kanittha Pansri and Professor Dr. Veera Inpantang. However, sourcing reclaimed timber from the region posed challenges, leading to an alternative approach of acquiring wood from dismantled houses in Chiang Mai. The materials were documented, analyzed, and reconfigured to introduce new spatial relationships while preserving their original textures and marks of use.

all images by Rungkit Charoenwat

Housescape Design Lab balances traditional and modern design

The structural system balances traditional techniques with contemporary reinforcements. Excavated stones, naturally embedded beneath the site, were used as the wooden column bases, aligning with local building traditions. To enhance stability, steel L-bolts were anchored into reinforced concrete foundations before being embedded into the stone bases. This integration preserves the historical construction approach while improving structural resilience.

In response to Thailand’s tropical climate, the design prioritizes passive cooling strategies. The design team selectively applies thermal insulation solutions beneath the roof, extending the eaves and creating site-specific airflow patterns to optimize natural ventilation. These elements reduce heat accumulation and enhance indoor thermal comfort without relying on mechanical systems.

Baan Sao Yong Hin, designed by Housescape Design Lab, is set within Thailand’s Phetchabun Basin

Housescape Design Lab ensures spatial and material coherence

Materiality and craftsmanship play a central role in the project. The walls retain the inherent imperfections of their materials, the reclaimed wood preserves marks from its previous use, and the stone foundations introduce organic variations in form. The furniture and lighting fixtures were designed and fabricated within the studio, ensuring continuity in material language and spatial coherence.

The external landscape emphasizes ecological diversity. A serpentine water channel, or ‘Sai Kai,’ was introduced to facilitate water flow and support natural bioremediation. Instead of a manicured lawn, the planting strategy incorporates a mix of species that contribute to biodiversity and ecological balance. This approach fosters an evolving natural environment, reinforcing the relationship between the residence and its surroundings.

reclaimed timber from dismantled houses in Chiang Mai was repurposed in the structure

the project explores vernacular construction techniques through extensive research

wood materials were carefully documented and reconfigured for new spatial relationships

extended eaves and airflow patterns optimize natural ventilation for passive cooling

the layout emphasizes an effortless connection between architecture and landscape

marks of previous use are preserved in the reclaimed wood, showcasing material history

the project balances traditional techniques with contemporary reinforcements for longevity

locally sourced stone serves as the base for the wooden columns, reflecting vernacular traditions

the residence fosters an evolving natural environment through a responsive planting strategy

Khao Nam Ko Yai mountain influences local wind patterns, shaping the houses’ orientation

project info:

name: Baan Sao Yong Hin

architects: Housescape Design Lab | @house.scape.design.lab

location: Lom Sak District, Phetchabun Province, Thailand

lead architect: Peerapong Promchart

design team: Panuwat Donthong, Pimprutti Pruttichote, Puttipong Penthong, Jil Gielen, Thiprada Jindatum

Housescape research team: Timpika Wetpanya, Nattikarn Krooba

clients: Khun Muenprae, Khun Tritep

structural engineer: Rachaen Jannakham

landscape design: Housescape Design Lab

contractor: Mongkol Boonrueng

wood provider: Bua Baan Mai Kao

photographer: Rungkit Charoenwat

special thanks to: Kanitta Pansri; Prof. Dr.Vira Inpuntung

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: christina vergopoulou | designboom

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