Spanish urban artist SpY reimagines the everyday fabric of Lille, France, with Golden Monoliths — a monumental public art installation comprising 14 shipping containers positioned vertically along the city’s main thoroughfare. Cloaked entirely in gold, these industrial objects shed their utilitarian function to emerge as powerful totemic symbols. Through the dramatic, upright arrangement of the containers, SpY transforms a conventional passageway into a ceremonial corridor, inviting passersby into an immersive experience.

all images courtesy of Ruben PBescos

questioning the transformation of industrial objects

Visitors are no longer passive spectators but are prompted to engage directly with the towering structures, reconsidering ideas of scale, function, and value within the urban landscape. Originally designed for global trade and circulation, the shipping containers are removed from their functional context. Through the straightforward yet impactful gesture of covering them in gold, SpY reinterprets these industrial forms as symbolic monuments. This transformation is characteristic of the Spanish urban artist’s approach, where the utilitarian is reimagined, not for decoration but to critically address the fetishization of commodities and the systems that sustain contemporary consumption.

the monumental public art installation is composed of 14 shipping containers

a critical commentary on consumption and global trade

Installed amidst heightened global trade tensions and economic uncertainty, Golden Monoliths serves as a reflection on modern society’s relationship with consumption. By transforming tools of commerce into shining, symbolic monuments, SpY draws attention to the paradoxes of value, exchange, and desire that shape contemporary life.

With this installation, SpY continues his exploration of urban transformation through subtle yet impactful interventions. The installation blurs the boundaries between sculpture, architecture, and public space, prompting viewers to reconsider not only the objects themselves but also the unseen systems and ideologies they embody.

cloaked entirely in gold, these industrial objects emerge as powerful totemic symbols

SpY chooses to cover the containers in gold, straightforward yet impactful gesture

the industrial forms are reinterpreted as symbolic monuments

Golden Monoliths serves as a reflection on modern society’s relationship with consumption

SpY transforms a conventional passageway into a ceremonial corridor

the installation blurs the boundaries between sculpture, architecture, and public space

the piece prompts viewers to reconsider the objects themselve and the unseen systems they embody

SpY draws attention to the paradoxes of value, exchange, and desire that shape contemporary life

project info:

name: Golden Monoliths
artist: SpY | @spy__studio
photography: Ruben PBescos | @rubenpb

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: myrto katsikopoulou | designboom

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Tung Jai Ork Baab (TJOB) unveils the C2 Shelter, a weekend getaway home located in Nakhon Nayok, Thailand. This residence expands upon the private vacation camping OOST Kampville Project, following the completion of the Container Cabin residence in 2022. Nestled amidst a forest of Dipterocarpus alatus (resin trees), the house is constructed using prefabrication materials due to the scarcity of local contractors and skilled workers. The primary internal spaces of the house are repurposed shipping containers, creatively adapted to a smaller scale and new functions.

To enhance its aesthetic appeal, the structure features solid fiber cement and translucent polyester resin roofs that interact with natural light and shadows. During the day, the shelter offers a subtle transparency inside and out. At night, it transforms into a gentle, glowing lightbox that softly illuminates the surrounding forest.

all images courtesy of Tung Jai Ork Baab (TJOB)

prefabricated C2 Shelter features industrial building materials

The name C2 signifies both the see-through nature of the shelter and its role as the second container structure in OOST Kampville. Tung Jai Ork Baab utilizes standard industrial building materials to suit the tropical climate and minimize heat transfer from the containers. Fiber cement, translucent polyester resin with fiberglass roofing, and galvanized steel structures were sourced from local construction shops, retaining their factory finishes for a clean aesthetic. Respecting the natural surroundings, the design positions three 6-meter-long containers within the Dipterocarpus alatus forest, avoiding disruption to existing trees. This layout divides the space into two sections, each featuring two bedrooms connected to a central common area and bathroom. Modest terraces on both sides extend the semi-outdoor living space. The C2 Shelter showcases an economical and efficient construction approach, using prefabricated containers to create a functional living environment. This project highlights the potential of repurposing surplus containers into viable residential structures, particularly in tropical environments like the Dipterocarpus alatus forest.

the C2 Shelter uses pre-fabrication construction

shipping containers serve as the primary internal rooms of the house

solid fiber cement and translucent polyester resin roofs make the shelter appear see-through

Tung Jai Ork Baab incorporates standard industrial building materials

the cabin expands the OOST Kampville Project

the residence transforms into a lightbox at night

standard industrial building materials mitigate heat transfer from the containers

the layout divides the space into two sides, each with two bedrooms

materials and light interaction illuminates the surrounding forest

project info:

name: C2 Shelter at OOST Kampville
designer: Tung Jai Ork Babb (TJOB)

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: thomai tsimpou | designboom

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Portuguese practice Madeiguincho shares first-look images of CARGO, a new Tiny House project soon available for short-term rental. The atelier challenged itself by repurposing an old shipping container, converting it into a daylit and space-saving abode, combining metal and wood throughout the design. As with previous projects, CARGO features signature Madeiguincho aesthetics, such as arched openings and multi-height interiors. 

all images © João Carranca, courtesy Madeiguincho Atelier

snug and space-saving design

The CARGO Tiny House by Madeiguincho (see more here) features a small front porch, an arched doorway, a porthole window, and a ladder that guides guests to a sunken roof terrace. Stepping inside, a snug living space welcomes guests. The architects kept the layout simple and clear, tucking a raised bed and window at the edge, with storage underneath. Complementing the sleeping nest is an L-shaped kitchen and seating area, revealing hints of faded blue. Wooden panels engulf the interior walls with delicate warmth, while concrete floors balance out the brownish hues.

CARGO Tiny House for short-term rental

repurposing an old shipping container

the house features a deck and a roof terrace

arched main doorway made of glass and framed in metal

daylit interiors of CARGO Tiny House

Madeiguincho designed the CARGO interiors in an L-shaped layout

porthole-like window facing the raised bed

project info:

name: CARGO Tiny House

architect: Madeiguincho Atelier | @madeiguincho_atelier

photographer: João Carranca | @jcarranca_photography

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Kseniia Kolesnikova envisions rustic-looking glass house

Interior and product designer Kseniia Kolesnikova envisions Glass House as a long, rectangular abode tucked in between two mountain peaks. Hovering over a lake thanks to a series of pillars immersed in the water, the structure comprises parts of cargo containers fronted almost entirely with large glass panels, allowing the primitive and surreal-looking landscape to become part of the interior living spaces. Kolesnikova coated the exterior in a rusted metal skin inspired by small weathered fishing houses.
general view of the Glass House | all renderings © Kseniia Kolesnikova

creating a japanese-inspired and unified palette indoors

The interior of Glass House by Kseniia Kolesnikova (see more here) unveils a unified color palette of sand and terracotta. The main materials used are natural stone (marble, travertine) and wood. The designer divides the space into three parts: the kitchen-living room with a tea zone, a study, and a bathroom in the center, and a bedroom with a bathroom. The two opposite parts connect to the mountain without partitions, allowing nature to penetrate not only through the windows but also into the space. 

standing on pillars immersed in water

Sand floors, reminiscent of traditional Japanese gardens, fill the tea room and relaxation area in the bedroom. Meanwhile, a Japanese-style lantern with a light fixture hangs in the tea zone. ‘The natural finish materials and warm color palette of the interior contrast with the cold stone exterior, enhancing the cozy effect inside. Glass House is a project that represents my creativity and style as an artist while also showcasing my architectural design skills,’ concludes Kseniia Kolesnikova. 

the designer envisions parts of cargo containers with large glazing

a rusted metal skin inspired by small rustic fishing houses

Glass House is tucked between two mountain peaks

balcony view

the interiors reveal a unified palette of sand and terracotta

bedroom area

bathroom

project info:

name: Glass House
designer: Kseniia Kolesnikova | @ks.tkacheva

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Among the pristine forest in Whitfield County, Georgia, sits the River Forest Lookout. This off-grid cabin, perched atop 14 acres (around 56,000 sqm) of mountainous terrain, offers breathtaking panoramas and a peaceful retreat for nature enthusiasts, as requested by the owner, Mark Derenthal, and his family. Crafted from two shipping containers and elevated 60 feet (18 meters) above the forest floor on a slender metal framework, the lookout provides a serene getaway for those seeking to disconnect from technology and immerse themselves in nature’s tranquility. The main container features an open living space with a small kitchen, cozy seating, and a dining area. An adjacent section houses a comfortable bed and storage space. The second container is dedicated solely to a well-equipped bathroom.

all images © River Forest lookout

secluded escape nestles in two elevated shipping containers

Powered by solar panels and propane heaters, this eco-conscious cabin provides modern comforts while minimizing environmental impact. The River Forest Lookout‘s highlight is its panoramic views, inviting guests to enjoy the surrounding wilderness from the balcony, with the sounds of the river creating a relaxing backdrop for guests to unwind. Moreover, a spiral staircase leads to a rooftop terrace, providing an additional space adorned with a fire pit and comfortable seating. This elevated platform serves as an ideal spot for stargazing, enhancing the experience of this secluded getaway immersed in nature’s beauty.

a peaceful retreat nestled within two shipping containers

the containers are lifted 60 ft (18 m) above the forest floor

the rooftop hosts a stargazing platform

floor-to-ceiling glass walls invite the outside in

power is provided through a solar panel system, ensuring a reduced environmental impact access to the cabin is achieved through a zig-zag metal staircase 

project info:

name: River Forest Lookout

owner and constructor: Mark Derenthal and his family

location: Whitfield County, Georgia, USA

accommodations are accessible via the Airbnb website

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MOT (Module of Temporality) is a mobile cultural space constructed from 27 cargo containers. Designed by Kyiv-based studio balbek bureau, this project was commissioned by Don’t Take Fake, a local event agency and contemporary culture magazine publisher. The containers have been strategically arranged to form a two-story complex, carefully planned for effortless disassembly, transport, and reassembly in less than ten days. MOT’s overarching approach is to delve into the notion of time and the fleeting nature of life through artistic expression. 

Since its launch in February 2023, MOT has traveled to three Ukrainian cities: Kyiv, Dnipro, and Lutsk, and is currently temporarily located in Lviv. Inside, MOT hosts a multimedia exhibition featuring the works of 28 artists from 10 different countries. All proceeds generated by MOT are dedicated to the restoration of art institutions in Ukraine that have suffered damage due to Russian aggression.

all images by Andriy Bezuglov, unless stated otherwise

mot: a movable multifunctional space

The story behind the Module of Temporality (MOT) project began in 2012 when balbek bureau (see more here) ordered some containers from the Ilyichivsk Ship Repair Plant. Originally, these containers were intended to serve as a versatile space with the ability to relocate. The initial plan was for it to be used as an art center, and later, it could be used as a mobile school, lecture hall, event venue, or even a private residence. Regrettably, the project was never realized. In 2022, the team from Don’t Take Fake approached balbek bureau with a proposal to repurpose these containers for the MOT project.

For balbek bureau, one of the main challenges in designing MOT’s structure was its mobility and the complexity of the cantilever. They also put effort into ensuring proper thermal and water insulation. The modules themselves had a distinctive design, so there was no need for overly bold accents, except for the branding done by the CREVV design studio.

designed for effortless dismantling, transportation, and reassembly in less than ten days

The focal point of MOT is an exhibition specially crafted for this endeavor. Spanning two floors of the venue, it showcases a diverse range of artworks, encompassing paintings, sculptures, installations, and audiovisual pieces. It features the works of several artists, including JR from France, Mark Jenkins from the USA, and local talents like Zhanna Kadyrova, Roman Minin, and Maria Kulikovska from Ukraine. Inside MOT’s welcome area, the intentionally low ceiling was designed to create a sense of confinement, reminiscent of the feeling people experience in shelters during air raids. On the other hand, the main exhibition area is spacious and open. The architects deliberately left the joints of the container walls visible to highlight the modular structure.

The primary material used throughout the design is metal, with various forms and textures. As a tribute to the enterprises affected by Russian aggression, the architects incorporated metal beams and sheets from Azovstal and the Ilich Iron & Steel Works, which were both heavily impacted during the battles for Mariupol. The interior design, except for the areas featuring yellow fiberglass, maintains a neutral color palette. Meanwhile, custom-made furniture, with varying shapes and heights, creates a visual contrast within the modules.

the MOT’s goal is to explore the concept of time and life’s transience through art

the containers host a multimedia exhibition featuring the works of 28 artists

every income generated by MOT is committed to the restoration of Ukrainian art institutions damaged by Russian aggression

project info:

name: MOT

studio: balbek bureau  | @balbekbureau

architects: Slava Balbek, Alla Vitas-Zakharzhevska, Nata Kurylenko, Anastasiia Partyka, Artem Zavarzin
3D artist: Valeriy Stefanov
project manager: Anna Viktorova
area: 417 sqm
year: 2023

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Jeep Japan has come up with a container house concept that can be built and dismantled anywhere, a wanderer’s sleeping companion. The car company is toying with working on a convertible house that can be constructed in the wilderness, desert, or snowy mountains while giving the owners leeway to toy with the room settings and features. Their collaboration has resulted in the first look of what they call ‘traveling house,’ conceiving the usual look of a container house, but adding an element of outdoor living in the design. 

images courtesy of Dolive and Jeep

The main door slides open to save space and is positioned in the middle to immediately give expansive views of the inside. Across the main door and on the sides, large windows open to nature and surroundings to invite natural light inside. When the sunlight penetrating the inside becomes too much, owners can just flap the window blinds down like a treasure box. The dubbed Jeep container house seems suitable for families and wanderers who want to enjoy the outdoor life, either temporarily or permanently.

the jeep container house is powered by solar panels

The design team states that the Jeep container house has its outer wall intentionally designed to be opened and closed to give it a spacious vibe, while the rooftop anchors a natural skylight to elicit a sense of openness. The only barrier that refrains the owners from living entirely outside is the galvanized iron foundation of the container house, a testament to how the design team wants residents to always feel connected with the surroundings.

the space divisions depend on the owners

Space divisions depend on the owners

The design team of Jeep Japan also recommends those who want to live in the container house to have their own sofa, tarpaulins, and carpet for outside bonding. It can easily pass as outdoor camping, and just add a campfire in the scene at sunset or in the evening and the chill mode is full-blown. Going inside, the environment softens with the glass material that permeates the space. The design team has decided not to divide the spaces inside on their own and allow the owners to do it themselves.

windows have blocks that flap

With this setting, owners can position their sleeping, kitchen, dining, and living areas how they want it. It looks like the position of the windows can’t be changed, but the benefits of configuring the space how the owners want it can be a winsome deal. They can twist the spaces then to their benefit and let the natural light spill in wherever home areas they want it to enter.

Jeep container house

Solar-powered container house

Relating to Jeep, solar panels power the container house, so electricity runs throughout the property. The setting allows owners to charge their Jeep vehicles as they rest inside their accommodation. Since Jeep has been developing plug-in hybrids and electric vehicles, having solar panels for the container house is a reasonable approach. Solar panels also allow a comfortable living in the wilderness where generating electricity isn’t a problem.

sunset time at jeep container house

The choice of recyclable wood is a conscious decision from the design team who wants the container house to resemble an apartment or proper house on a lot and to ensure that the materials conform to the standards the environment requires these days. Since Jeep’s container house can be built anywhere the owners like, it’s also possible for them to have two homes: one in the city and one where the container house is built. In the former lies where the hustling lifestyle is while in the latter nestles where the sanctuary is. 

nighttime camping at jeep container house

project info:

name: Concept container house

company: Jeep (Japan)

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Architecture studio LOT-EK has announced the ground-breaking of ‘The Cubes,’ the new home for Long Island City‘s Socrates Sculpture Park — a space which exhibits contemporary public art and aims to foster community. With 2,640 square feet of interior space, the two-story building will take shape as an assemblage of eighteen reused shipping containers to celebrate the industrial roots of the New York City neighborhood. The architecture will also express the park’s founding principles of creative reclamation and adaptable re-use. Once completed, it will become the first permanent structure in the park’s thirty-year history. The project is expected to reach completion in early 2024.

images courtesy Socrates Sculpture Park

the history of the traveling structure ‘the cubes’

Currently taking shape at the Socrates Sculpture Park in Queens, New York, The Cubes began its life as a commission by the Whitney Museum of American Art when it was located on Madison Avenue. At the time, the shipping container construction covered only 720 square feet across one level and housed the museum’s educational programming. When the Whitney moved to its current location in Chelsea, it offered The Cubes as a donation to the Socrates Sculpture Park. This led to the expansion of both the park, and of the architects‘ original concept.

The design of LOT-EK’s The Cubes grew and transformed with the addition of twelve shipping containers — for a total of eighteen — stacked across two levels. Diagonal bands of glass cut across the walls and roof, introducing natural light and views of the park and the skyline beyond — all while maintaining generous wall space inside for indoor exhibitions.

the multifunctional design by lot-ek

The architects at LOT-EK plan The Cubes with an inherently multi-functional design, suiting the flexible needs of the Socrates Sculpture Park. It will have two primary uses — it will primarily host administrative offices, giving the organization a physical presence in the park as it operates and programs. Next, the building will provide an indoor space — capable of housing classes of up to 70 children and teens — for curatorial, educational, and community programming during the fall and winter months of the school year.

A 480 square-foot shaded deck area will also host outdoor classes and programming. Meanwhile, the rooftop will be fit with solar panels to provide renewable energy while offering a teaching tool for sustainable practices. The Socrates Sculpture Park writes: ‘This new home secures the Park’s future, so generations to come can enjoy the Park and take advantage of our programs.’

project info:

project title: The Cubes

architecture: LOT-EK | @lot_ek

client: Socrates Sculpture Park | @socratespark

location: Long Island City, New York

park director: Tamsin Dillon | @tamsindillon

The post socrates sculpture park’s shipping container home ‘the cubes’ begins construction appeared first on designboom | architecture & design magazine.

For the Kaohsiung Museum of Fine Arts’ International Container Art Festival, Quality Innovation United (QIU) Architects has completed The Cube, an ambitious pavilion which perfectly embodies the festival’s theme of Van Buren Supernova, encouraging participants to explore light, stars, hope and a new life. Situated on a pier in the regenerated art district of Kaohsiung, Taiwan, The Cube seeks to spark the imagination with considerations about Kaohsiung’s future, while remaining firmly rooted in the city’s port heritage. QIU’s concept takes form in a lightweight cuboid frame structure holding five luminous containers that appear to be floating amongst the interconnected lines of light, transforming Kaohsiung Port’s industrial skyline and encouraging visitors to explore the mobility of the unknown.

when the visitor enters The Cube, they become performers of the art installation

all images by Studio Millspace

luminous floating containers evoke curiosity

QIU’s The Cube – ‘commu(nica)ting vessels through interstellar corridors’ – is deemed the most ambitious structure and largest pavilion in more than a decade of the Kaohsiung International Container Arts Festival. ‘We wanted to challenge everything, not only in the structure’s size, but also the programme, the material, the lighting, and the way people would engage with it.’ notes lead architect Young Chiu.

The interactive pavilion consists of a white, lightweight, rectangular steel frame structure that generates a hierarchy of spaces in which five hollow container-like objects hang and float. The architects use lightweight translucent Polycarbonate panels which retain the shape of the container structures, creating horizontal luminous volumes that evoke curiosity. Interconnected lines of light guide visitors, inviting them to explore the structure, climb the frame and enter the hollow containers. The dynamic lighting and materiality of the volumes offer visitors a multi-dimensional interaction to explore the mobility of the unknown and examine the ‘breathing organism of light’. Through the hollow vertical container in the centre of the pavilion, a connection is made between the visitor and the sky, in an exploration of a common theme between the container and the star. While gazing through the kaleidoscope-like interior, the sky offers infinite reflections of themselves. A steady rhythm of light and dark are produced, to represent the pulse of life. From within, visitors are offered framed views overlooking the Kaohsiung harbour. Meanwhile, to spectators on the outside, they are perceived as silhouettes, becomeing performers of the art installation.

through the hollow vertical container, a connection is made between the visitors and the sky

an exploration of light, stars, hope and a new life

‘Sustainability has been on the forefront of our design process’, state the architects. With carefully selected materials – which were recycled post exhibition – and a strategic live load arrangement, the weight of the structure has been minimized. To achieve a slender structural frame while safeguarding the original design composition, QIU inserts a smaller subframe which provides structural integrity to support the floating volumes, andincreases the area of the structure’s square hollow section. The Cube’s design, with accessible hung containers, slender structural frame, and sheer overall dimensions was challenging due to its location which faces high typhoon and seismic risk. As such, below the floating ground floor deck, the main frame has been anchored to steel H-beams to achieve a solid foundation capable to withstand typhoons.

the pulsating rhythm of light and dark of the translucent vessels represents the pulse of life

The Cube seeks to spark the imagination with considerations about Kaohsiung’s future, while remaining firmly rooted in the city’s port heritage

through the hollow vertical container, a connection is made between the visitor and the sky

the kaleidoscope-like interior of the hollow container by night

the luminous pavilion transforms Kaohsiung Port’s industrial skyline

within a lightweight, rectangular steel frame structure are five hollow container-like objects that hang and float

project info:

name: The Cube
architect: Quality Innovation United – QIU

photography: Studio Millspace 

designboom has received this project from our ‘DIY submissions’ feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: ravail khan | designboom

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Calaak’Oncept, a company based in Geispolsheim, France that specializes in cargotecture or transforming cargo structures into products of architecture, designs and distributes swimming pools carved in shipping containers. Dubbed Calaak pools and manufactured in Bas-Rhin by a collective of pool specialists in Geispolsheim, the custom-made container pools feature a mix of modern and industrial styles. The structure does not begin and end with delivering and installing the container pools, but the specialists guide their clients into what goes into and out of the cargotecture as they advise on the design of customizable and economical, above-ground or in-ground pools. The company’s mission lies in its desire to let its clients discover eco-responsible concepts of swimming pools that require low maintenance and shares its delight to have recently expanded its dissemination and transport across France.

The company prides itself on having a varied choice of installation, be it above ground, semi-buried, or even raised on a cliff to afford the view of the landscape. It offers fully customizable pool layouts with a large number of options to modify them, an exterior rendering that meets clients’ expectations from glazed area and cladding to access and security, and a range of options that allows clients to construct their pools according to their specifications. For Calaak’Oncept, the industry of the container pools constantly evolves as desires from clients and consistent developments emerge. It also promises to provide clients with advice and tailor-made solutions to meet the constraints of their outdoor spaces regardless of the size.

Images from Calaak’Oncept

Variations of the shipping-container pools 

Calaak’Oncept offers three main categories of Calaak pools. The six-meter-sized pool saves space if clients want to install the pool in their gardens, making it ideal for restricted spaces and accessible to all. The twelve-meter-sized pools have two variations, a spacious one built for athletes, swimming fans, and large families, and another made for relaxing with a jacuzzi area. Wellness options are also available which include two-, three, and five-seat spas consisting of docks and armchairs; hydromassage and aromatherapy; chromotherapy with a combination of ten colors; and waterfall selections accompanied by the sound of water.

As for the customization, the exterior cladding comes with steel or wooden materials with different colors available. The railing of the pools can be in glazed surface, metallic, or stainless, and types of wood can also be ordered to match the clients’ surroundings or terrace. The Calaak pools comprise a fixed metal ladder, a removable staircase made of wood, a central metal stringer and five steps, an external staircase, and basin modularity. A white LED spotlight is included to light up the pool at night with an option to have a colored LED projector with remote control, indirect peripheral lighting, a white LED strip, and a LED spotlight at the bottom of the pool.

The pool area has an automatic chlorine regulator, salt chlorinator, biological filtration, fogger, cover with a roller, and electric curtains, to name a few. The company says that the installation and setup take only one day along with lining in the 16A electrical outlet and that the installation and commissioning of the container pools are already included in the total cost of the pool. Apart from installing the Calaak pools and advising on what layout to get, the team behind the company also provides electrical, plumbing, and earthworks solutions.

Calaak’Oncept turns shipping containers into durable, low-maintenance swimming pools

Transporting shipping-container pools 

The manufacturing time can extend up to four weeks, depending on the workload. The container pools are transported by an 11m carrier truck or a semi-trailer, depending on the model chosen, and it is possible to lift the pool based on the feasibility of installing it. Depending on the size of the basin chosen, lifting and transport are carried out by truck crane or mobile crane. If needed, the company can hoist the pool using a crane which is already included with the transport and costs, and long-range cranes and helicopter lifting are still being studied by the team, but are already considered as a potential means to transport the product.

The company seems to also offer a container pool house where it builds a shelter out of the Calaak pools and fits in a shower, bathroom, changing room, and a relaxation area to complete the arrangement that is made for house parties and gatherings. ‘Its robustness and resistance to extreme weather conditions make it a good choice for a swimming pool,’ the company writes. Topping it off, the pool specialists also offer anti-corrosion paint and guarantee that their materials are specially designed to resist shocks, bad-weather conditions, and corrosion.

Close-up view of the container pool

Above-ground variation of the container swimming pool

Buried variation of the container swimming pool

Half-buried variation of the container swimming pool

Raised variation of the container swimming pool

project info:

name: Calaak Pools

company: Calaak’Oncept

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